Album Cover With Old Man In Chair

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Album Cover With Old Man In Chair – Cambridge School of Art students Storm Torgerson and Aubrey Powell founded London-based design studio Hipgnosis after being asked to create an album cover for their friends Syd Barrett and Rogers Waters and their new band. Pink Floyd’s cover of A Saucerful of Secrets in 1968 caught the attention of EMI head of graphics Ron Dunton, and they soon began doing covers for other EMI artists.

Torgerson and Powell specialized in complex, manipulated and often invisible photo-based designs for The Nice, T. Rex, Electric Light Orchestra, Climax Blues Band and Wishbone Ash. However, while performing Pink Floyd’s 1973 Dark Side of the Moon, keyboardist Richard Wright asked Torgerson, “Could we have some funny pictures of you?” and the result, after some fuss among Hipgnosis partners, was the now iconic triangle graphic:

Album Cover With Old Man In Chair

Album Cover With Old Man In Chair

Their cover of The Dark Side of the Moon caught everyone’s attention, and soon they were surrounded by the work of British bands, including the biggest band of the time, Led Zeppelin.

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St. Powell toured Northern Ireland with Led Zeppelin in 1973 and photographed child models Stefan and Samantha Gates exposed on giant road rocks (something he stated he could not do today). As he later recalled, “it had been raining for ten days straight… the only thing I could hold it all together was a bottle of Mandrax.

And a lot of whiskey”. Another iconic and indelible classic was the highly composited, airbrushed final cover.

Hipgnosis’ next Led Zeppelin cover, in 1976, was their Presence. Designer George Hardy showed a mysterious slant – “The Object” – superimposed on banal and retro images of everyday life. Powell carefully commissioned the front and back covers, and the images on the inside front door came from old Life and Look magazines. Your guess here is as good as mine.

For their final studio album, 1979’s In Through the Out Door, Led Zeppelin’s design brief for Hipgnosis was simply “we don’t want anything too weird”, a clear reference to the Presence cover. Instead, they got one of the last great record packages of the 70s.

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Powell came up with the idea of ​​a man burning a “Dear John” letter in a bar and traveled to Martinique and New Orleans to research the honky-tonk prototype. When he returned to London, he recreated the bar as a stage set and photographed the scene six times, once from the point of view of each of the six characters. They made six different album covers from it. Of course, you wouldn’t know which version you were buying because the record was wrapped in an ink-sealed kraft paper bag. It was a great publicity tour.

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If the packaging wasn’t expensive enough, Jimmy Page, based on one of his daughter Scarlett’s coloring books, proposed the idea of ​​a sleeve inside a “magic dot” that would change color if wet (and in 1979, yes. enough). because of this peculiar feature of the listeners, which was probably discovered after the pouring of water).

Not only Led Zeppelin in Through the Out Door, but Hipgnosis ended. In 1976 young designer Jamie Reid created Sex Pistol’s Never Mind the Bollocks “which cost about twopence” and in 1979 – the same year as In Through the Out Door – 23-year-old Peter Saville designed Joy Division’s Unknown Pleasures . Photo-based covers designed with hypnosis were replaced with a punk and new wave ethos. Torgerson and Powell finally closed up shop in 1982.

Album Cover With Old Man In Chair

1. The UK trade name for the sedative and hypnotic drug methaqualone (CAS 77-44-68) was Mandrax (Roussel Laboratories). Better known in the United States was Quaalude (Rorer or Lemmon), Sopor (Arnar-Stone) or Optimil (Wallace) or Parest (Parke-Davis), a very clever drug addict. In the early 1970s, they chose the recreational drug. It was so abused that it was banned in the UK and USA (Class B and Schedule I respectively). To put it on full notice, here’s Jimmy Page, circa 1977, in his Rorer 714 shirt:

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2/2 In the early 1990s, Atlantic dropped the “magic dot” inner sleeve and printed only the “F” cap. From your classic soul heroes like Al Green and Sil Johnson to spacemen Funkadelic and Outkast, it seems the abyss has never been overlooked. Oddball country, filler RnB and lounge jazz records on the cheap – musicians have long turned to the rattan chair for a cool conservatory.

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To celebrate the release, we’ve rounded up 25 more album covers that showcase the high-backed chair in all its glory, often accompanied by a guy and a heavy moustache.

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When Art Meets Music

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Album Cover With Old Man In Chair

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Album Cover With Old Man In Chair

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Other unclassified cookies are those that are being analyzed and have not yet been classified. Let’s be honest, it’s not the most creative concept for an album cover. Some female artist or model sitting on a chair…that’s it. However, plucked from the far corners of the vintage vinyl landscape, you can end up sitting sexy with a good and interesting selection of siren songs. Let’s look at 25 (mostly) obscure examples from around the world. Sit back and enjoy…

(1) Stretch With Us… but first sit in a wire chair and aggressively point your cheeks.

(2) Old Andy Williams looks angelic and innocent. It wasn’t long before professional skiers were killed.

(3) The deck is enlarged. The joker group had cards that were large enough to cover the visually impaired or not

Old Man Rocking Chair Stock Photos

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